B-Grade Lisa Loeb Single Reviews

Man, a female Klinger. A female They Might Be Giants. The high pitched voices, a barrage of cutesy pop keyboards, the contagious melodies, the continual wahs, do doo's, bah, bah, babababa's and songs about boys, emo songs, broken hearts, pop culture, lead inexorably to a bouncy red cordial mixed with speed and a couple of beers, gracious-pop. no, really B-Grade Lisa Loeb is gold. Pure, tongue in cheek pop, gold.
Beat Magazine, 2/11/05

I once had a chance to hang backstage with Lisa Loeb. By a remarkable twist of luck it turned out she and her band were Christians and consequently didn't drink ( I thought Jesus turned water into wine?) so I got to have as much of her rider as I liked/could manage. I have had warm feelings towards her ever since -so I will brook no criticism. On the other hand Jane vs World are kind of like an amped up Lisa Loeb anyway no matter what they say darling little indie children filled with happiness, freedom and the desire to wear 'unconventional' clothes bought at out of the way op shops whilst touring country towns. How could you not love them and the indie pop that flows effortlessly from their little indie hands? God love them and everyone in their cardigan wearing world!
Brag Magazine, 25/10/05

Woah, watch out Janeworld (the superfabulous rave writer), Jane Vs World (the cute-core Melbourne duo) are biting your territory girl! And given their sure-to-be-big pearl-knitted precious pop perfection, you might find yourself scrounging around for a new nom-de-pume… ack! Me, I wanna see the face-off… Janeworld teeth barred with poison-dart biro and num-chuck mini-cassettes fending off brutal casio counter-attacks with the relentless head-bopping head-butt of doom!! Phfwoar..hott.. I could sell tickets and become a millionaire! The truth of the matter is that one of Rave’s fave columnists has cause of cencern. With the Belle and Sebastian and nineties nostalgia, B-Grade Lisa Loeb could easily do something bigger than your average gum-bubble.
Rave Magazine, 1/11/05

The actual title of the track is enough of a giveaway but, in case you still hadn’t caught on, Melbourne duo Jane Vs World (featuring ex-Sarah Sarah vocal gal Kate Duncan) love their pop music and, more than that, take great pleasure in presenting you with their unashamedly over-the-top, tongue-in-cheek pop approach. While lead track ‘B-Grade Lisa Loeb’ from their forthcoming debut EP is certainly by numbers, it’s injected with the right amount of humour, upbeat energy and pisstaking observations towards emo/indie dudes to make it something that even the most discerning of listeners will find difficult to resist tapping their foot along to. Even if you’re not a big fan of this style in general, just hearing something that obviously has the intention of putting a smile on your face is worth it. Enjoy a slice of infectious pop pie, shamelessly.
www.rockus.com.au, 2/11/05

Jane Vs World was born when keys player Jadey O’Regan moved to Melbourne after a five hour phone conversation with new best friend Kate Duncan. The two have been playing various venues around Melbourne for a while now, and have also played some shows in Sydney, Brisbane, and regional centres in between. Their debut EP 56K Hearts will be released in February next year, but in the meantime, we’ll have to make do with exciting debut single B-Grade Lisa Loeb.

B-Grade Lisa Loeb is a fast and furious, but most of all fun, track. It’s heavy on pianos and Duncan’s poppy vocals, even though it’s essentially a break up track. It laments conversations about bands that hinted at a deeper personality clash. Luckily, the content never drags the song down, and this piece of pop perfection is an instant charmer. B-side The Subterraneans is a similar effort, and although the tempo is reduced, the atmosphere and intent certainly isn’t. Its more of a road trip song, singing about trips to San Francisco.
These two songs are an brilliant introduction to a band that is certainly going to turn some heads, or at the very least, shakes some asses. Its entirely possible the music industry didn’t need a cynical, nerdy version of Josie and the Pussycats, but by gum we’ve got them, and as long as they stick around, listeners will be all the better for it.
www.fasterlouder.com.au, 26/12/05


 


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